(You can also read this review in Spanish/También puedes leer esta reseña en español)
Disclaimer: Please, note that English is not my first language. I apologize in advance because I know there could be some mistakes in the text below. I’m trying to improve it, thanks.
I consider that the publication of Sci-Fi Chronicles: A Visual History of the Galaxy’s Greatest Science Fiction is very good news for both the fans and those who wish to know the genre. Twenty years ago The Illustrated Encyclopaedia of Science Fiction by John Clute was a great landmark as today could be this guide.
Let’s start the review: The prologue by the writer Stephen Baxter is a masterful preamble about the genre that we love. After this, an equally excellent introduction by the editor Guy Haley, more focused on the explanation about the purpose of this guide. I find very interesting the definition by the latter: in summary Mr Haley says that the science fiction is a part of the fictional genres, which as a distinctive feature has a materialistic and rational basis (unlike, for example, the fantasy whose basis is the magical thought). I understand that this definition encompasses a wider content than the usual meaning about science and technology.
Sci-Fi Chronicles is divided into five chapters: Early Science Fiction: The Birth of the Genre (1818-1920), The Days of Pulp: The Golden Age (1920-1950), The Era of the Atom: Marvels and Perils of Science (1950-1970), Dark Futures: Apocalypses and the War in Space (1970-1990) and the last, The Adventure Continues: Modern Science Fiction (1990-present), a criterion which I consider valid for the purposes of the book.
Logically within each chapter the items are displayed by date of onset. But it is interesting to note that the guide classifies the science fiction items from their key issues, regardless of source media. For example, you may find indistinctly an entry about a writer, a film director or even a producer; and also another about a series as Doctor Who or Babylon 5. I consider this is well thought out: this allows focus on the creations, because science fiction works often transcend its origins to reach other media. Moreover, the item is reviewed from an outside perspective: date of publication or release and key events associated, and also from inside: the timeline or chronology of events in the fiction described.
Logically within each chapter the items are displayed by date of onset. But it is interesting to note that the guide classifies the science fiction items from their key issues, regardless of source media. For example, you may find indistinctly an entry about a writer, a film director or even a producer; and also another about a series as Doctor Who or Babylon 5. I consider this is well thought out: this allows focus on the creations, because science fiction works often transcend its origins to reach other media. Moreover, the item is reviewed from an outside perspective: date of publication or release and key events associated, and also from inside: the timeline or chronology of events in the fiction described.
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Moreover, the information offered in this guide is scattered in thousands of Internet sites, so the great work done here is necessary to offer a whole vision of the genre. In this sense I believe that today's digital books, for different reasons, also need to be improved. I understand that this work could be published in digital format that allows to read it from a tablet or a computer (but not an e-reader because of the illustrations), but I assume that a publication of this type is economically unviable. Instead to offer all this in a conventional book remains feasible: a point in favour of the printed books then. Of course, this is a question I mention in passing. Just point that someone said long ago that the medium is the message, or in other words, that each format has its own rules.
The content of Sci-Fi Chronicles is also in accordance of our current times. It is not exactly the same, but I consider it is a worthy successor. This is reflected even in the title: Sci-Fi instead of Science Fiction.
Finally, about the contents. The issues are treated with informative rigor and are representative of the phenomenon of science fiction as a whole, and this includes both –like it or not- Phillip K. Dick and the Power Rangers. Of course, as the editor anticipates in the foreword, some will find important absences, but I think that if we reach this requirement level we are among fans in the third kind and this guide will provide us few discoveries. However, at least in my case, I was delighted to read an entry about a specific author, or about a novel or an anime series that has marked a before and after in the history of the genre.
In short, it is an indispensable work for fans of science fiction and for those who want immerse in a very good introduction to the genre.
Finally, a question for you: How will be like the next guide in twenty years?
PD: I want to thank my friend Clara for her help in the English translation (moltes gràcies Clara!)
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